Friday, June 16, 2017

Preparing for the Academy’s Upcoming Invitation Announcement

June is when the Academy traditionally publishes their list of new invitees. We’re expecting another large entering class, so I thought I’d take a moment now to review our process so that everyone knows what to expect -- and importantly, how you can help during that busy time.

On the day that the list is announced (and as quickly as my day job allows), I’ll post a link to the invitee list on the site and also send out an email to our researchers letting them know that it’s been released.

Contrary to what you might expect, however, I will NOT try to fold the new names into our regular membership pages until a few weeks later. That may seem counterintuitive to those who assume we would do an immediate update, but there’s a very real research strategy behind it. We’ve discovered that the Academy’s official announcement is only the starting point, not the finish line. It sets off a flurry of activity, with tons of new information coming from new members, existing members, journalists, and others. As researchers, it’s important to collect as much of that follow-up evidence as possible.

In the hours, days, and weeks following the Academy’s announcement, our top priority is to find and record as many reactions and responses as we can. In addition to stories from the traditional and industry media, we’ve discovered that social media searches on twitter, facebook and instagram are particularly time-sensitive. If we don’t find them as they are coming out, the evidence gets hidden deeper and deeper down those timelines, making it much more difficult to uncover.

The first 72 hours are like a tidal wave of information -- there’s no way that I could ever catch everything on my own. But even a week or two later there’s still a steady stream of information coming out from invitees that are just opening their mail, human interest pieces and international interviews as the news spreads further from L.A., and follow-up articles from news sources that publish weekly or monthly.

Because the rush of information is so great, I ask everyone who is able to help us look for evidence during that time. Here are some examples of things we’re watching for:

  • Sources that confirm (or at least strongly suggest) that an invitee is actually ACCEPTING their invitation. Sometimes these take the form of official press releases, but more often they come out as short social media messages. Even a retweet or a single word reply like “Thanks” or “Honored” can give us a sense of their reaction, so please feel free to send me anything you find, even if it wouldn’t normally count as stand-alone proof of membership.
  • Sources that show that someone is REJECTING their invitation. Yes, this really does happen. And the Academy’s attempts to cast a wider net may make this even more likely, since they’re inviting people who didn’t apply, rather than waiting for applicants who have shown an interest ahead of time.
  • Sources that list the SPONSORS of an invitee (ie. the existing members who recommended the new person for membership). Sometimes this is the invitee thanking the sponsors, and sometimes it is the sponsors congratulating the invitee. Not only have we discovered several members this way, we’ve also been able to confirm branches for others based upon the branch where their invitee was listed.
  • Other congratulatory posts from EXISTING members. It’s quite common for mentors or colleagues to post these, often with reflections or stories remembering when they first joined.
  • Congratulations, commentaries, or sour grapes posts from NON-MEMBERS. These sometimes come in the form of “hope you’ll sponsor me next year” or “can’t wait until the day I get to join too.”
  • Articles that give BIOGRAPHICAL hints about the new members. This is particularly important for the four categories where the Academy hasn’t traditionally listed any credits -- Executives, Public Relations, At Large and Associate members. If the person has a common name or isn’t in a position that gets much press, this may be one of the only times that we can positively identify who they are. These types of sources usually come from industry publications (Variety, IndieWire, Deadline, The Wrap, LA Times, etc.), and are often hidden as a single line or paragraph in their larger story that reprints the invite list.
  • Any ANALYSIS of who was left off the list. Particularly any Oscar nominees from the past year that don’t make the cut. Depending on their career and the number of credits they have, we can often use their absence from the list as circumstantial evidence to determine if they were simply snubbed, or if we should add them as presumptive members who didn’t need an invite because they were already in the club.
  • Anyone who receives a SECOND INVITATION (or third or fourth invitation). This can be a sign that they turned down the first one.
  • Occasional PUBLICITY, COMMENTING on articles, or answering QUESTIONS, with a link back to our main page as evidence. I’m not able to do this nearly as much as I’d like to because of the huge amount of new information coming in. But people’s peaked interest in the Academy’s membership does provide an opportunity to let them know about our project, and some of them might even turn into new researchers to help us in the future. As always, you are all authorized to link people back to our site if they’re asking questions that we have the answers to.

You can send anything you find to me by email at nevertooearlymoviepredictions@gmail.com, or by posting the link in the comments section below.

Once the flurry of activity has settled down a bit and I feel like we’ve captured all the evidence that we’re able to, I’ll block out a weekend to add all the new names and supporting links to the site, as well as take them off of the Non-Members pages and Wish List pages. That requires a lot of attention to detail and is also quite time consuming, so I won’t try to rush it. It’s better to take my time and get them added correctly than to hurry and make mistakes.

Thank you again to all of you for helping in the search!
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Sunday, April 2, 2017

Academy Branch History

The Academy is currently made up of 17 branches, but it began with only 5.

The history of how the branches changed and expanded (and sometimes contracted) can make historical research like ours complicated. Individual members shift between branches over time, sometimes crossing back and forth. Branches appear and disappear and are renamed. New categories and subcategories pile up -- both outside the branches and within them.

This page includes a narrative description of the Academy’s branch history, plus a few other large-scale shifts in the Academy’s membership that our researchers have encountered. There is also as a handy summary chart near the bottom.


1927: Founding of the Academy

The Academy began with five branches:
  • Actors
  • Directors
  • Producers
  • Technicians
  • Writers

These five original branches took on a mythical importance in the Academy’s iconography. For example, the Oscar statue stands on a film reel which features five spokes, signifying the five original branches.

While the five canonical branches were adhered to as an official structure for over a decade, exceptions began to be made almost immediately. Membership lists from 1930 and 1931 show additional people being listed as “Special Members” -- a category that would eventually lead to the “Members At Large” grouping.

It’s also worth noting that the 1927 Bylaws already allowed for Associate Members, who were sometimes listed separately and sometimes listed as associate members of a particular branch. One list from 1931 subdivides further, separating out “Assistant Directors” as a particular type of associate member within the directors branch.


1933-1936: The Guild Exodus

The period from 1933 to 1936 saw a massive exodus of members from the Academy, which had taken a pro-studio stance against the emerging guilds and labor unions. In a single year more than half of the Academy’s membership had resigned. By 1936, Frank Capra reported that the membership had plunged from a high of 600 members down to only 40.

Many of the members who had left the Academy rejoined soon after the contract disputes ended, and others would be reinstated over the years and decades that followed. But several never returned.


1939: Creation of the Sciences Branch and its Four Sections

In 1939, the Technicians Branch was renamed the Sciences Branch, and subdivided into four “Sections”:
  • Art Directors Section
  • Cinematographers Section
  • Film Editors Section
  • Sound Section

Each of these sections would eventually become a branch of its own, but for several years they remained under the “Sciences Branch” heading to keep the original branch structure at five.

Various other “Sections” of the Sciences Branch appear in some membership lists, including the Photographic Section and the Equipment Section. These seem to be short lived and were absorbed into one of the other sections.


1941 & 1942: First Official Branch Expansion

1941 saw the creation of two new branches: the Music Branch  and the Short Subjects Branch.

The Academy also changed the name of the Producers Branch to the “Producers And Executives Branch”

A year later, in 1942, the Public Relations Branch was created, formed from a committee that had been established in 1940 called the Public Relation Institute.


1947: Arts And Sciences Clusters

By 1947, the Academy separated the combined “Producers and Executives Branch” into two separate branches: the “Producers Branch” and the “Executives Branch”.

With the number of branches climbing from five to twelve, the Academy attempted to conceptualize its branches into two clusters: the Arts and the Sciences.

Arts Branches:
  • Actors Branch
  • Directors Branch
  • Executives Branch
  • Music Branch
  • Producers Branch
  • Public Relations Branch
  • Short Subjects Branch
  • Writers Branch

Sciences Branches:
  • Art Directors Branch
  • Cinematographers Branch
  • Film Editors Branch
  • Sound Branch


While the distinction between Arts Branches and Sciences Branches was later discarded, the division of the Academy into stand alone branches would remain.

This is also the period where the two non-branch categories of At Large Members and Associate Members seem to solidify.


1953: The Administrators Branch

In 1953, the Academy added the Administrators Branch as its 13th branch.

The Administrators Branch would become unique in that it would eventually become the only example in the Academy’s history (so far) when the number of branches contracted rather than expanded. After 17 years, the Administrators Branch was eventually absorbed into the Executives Branch in 1970, decreasing the number of branches from 13 to 12.


1970: Gregory Peck’s Academy Realignment

In 1970, Gregory Peck oversaw a massive realignment of the Academy’s membership. In addition to merging the Administrators Branch into the Executives Branch, a total of 546 members were transferred from their branches, either to other branches or to Members At Large or Associate Members.

The shakeup was controversial, with many members protesting their transfers. Particularly controversial was the move of somewhere between 300 to 400 members to Associate Member status, which stripped them of their Oscar votes. Several members resigned in protest.

It is worth noting that while most of the transfers stuck, there were some that were reversed or where the person was later readmitted to their original branch. In particular, we have found evidence that several members of the Public Relations Branch who were moved to Associate Member status were later transferred back to the Public Relations Branch -- after Peck had finished his term as Academy president! Peck wasn’t happy about this, just as the public relations members hadn’t been happy that he transferred them in the first place.


1974 Short Films Branch Name Change

In 1974, the Short Subjects Branch (which had been created in 1941) changed its name to the Short Films Branch. The name would remain the same for two decades, until 1995 when it would be renamed again as the Short Films And Feature Animation Branch.


1992: Introduction of Retired Status

In 1992, the Academy introduced the option of “Retired Status” to their members.

This was a voluntary program, where members could choose to lower their membership dues while maintaining their affiliation with the Academy. Those who choose this option pay half the normal rate, but do not get to vote for the Academy governors or for the Oscars.

Note that the Academy’s Retired Status is not necessarily related to one’s career status: One can still be working in films while on this status, while others who have long been retired from their careers have not opted to join this category.

The program is apparently quite successful. Reports are that over 500 Academy members opted for it in the first year. In December 2016, there were 686 members listed as Retired Members.

Note that the Retired Status option does present some challenges for researchers: Some biographies and resumes are worded in ways that make it unclear whether someone is retired from the Academy (ie. they left or resigned), or if they have retired status within the Academy (ie. they are still a member but can’t vote). Additionally, branch counts from the Academy and reported by journalists can vary greatly: Sometimes retired members are included within the counts for their branch (of which they still remain a member), while other counts focus on active Oscar voters and include all the retired members in a separate category, or leave them out altogether.


1995: Visual Effects Branch, and Short Films And Feature Animation Branch

In 1995 the Academy expanded its branches again with the creation of the Visual Effects Branch. Sources suggest that most members of the new branch originally came from the Cinematographers Branch or the At Large Membership, although some seem to have also come from the Art Directors, Short Films or other branches.

1995 is also the year when the Short Films Branch (formerly Short Subjects Branch) was once again renamed as the Short Films And Feature Animation Branch.


2001: Documentary Branch

In 2001 the Academy created the Documentary Branch. Members of the new branch came from several other branches, but there seem to be a high number of transfers from the Short Films And Feature Animation Branch (formerly known as the Short Subjects or Short Films Branch), the Directors Branch, and At Large Members.


2006: Makeup Artists And Hairstylists Branch

The Makeup Artists And Hairstylists Branch was created in 2006. Prior to this, many of these artists had been listed as At Large Members.


2012: Designers Branch Name Change

In 2012, the Academy changed the name of the Art Directors Branch to the Designers Branch. At the time, the branch consisted of art directors, production designers, set decorators, costume designers and others. (Note that the costume designers would be given their own branch a year later).


2013: Costume Designers Branch and Casting Directors Branch

In 2013, the Academy created the Costume Designers Branch. The vast majority of these members had previously been part of the Designers Branch (formerly called Art Directors Branch), although a few may have been At Large Members.

Later in 2013, the Academy created the Casting Directors Branch. Prior to this, many casting directors had been listed as At Large Members, although some also seem to have been part of the Executives Branch.


2016: Introduction of Emeritus Status

In 2016, the Academy adopted a new Emeritus Status. Emeritus members do not pay dues, but also do not get to vote for Academy governors or for the Oscars.

The status is applied on a rolling basis to:
  • Those who are not Oscar Winners or Oscar Nominees
AND
  • Who have not worked in their field in the past ten years
AND
  • Whose careers have not spanned three ten-year terms.

Note that all three criteria must apply before moving to Emeritus status. If someone has been nominated or won an Oscar, or has worked at any point in the last ten years, or has worked in the industry during three ten-year terms at any point, then they are not supposed to be moved to Emeritus Status.

Like the realignment that happened under Gregory Peck, the announcement of the new Emeritus policy was quite controversial, with some members threatening to resign. Unlike Peck’s system, however, Emeritus members are not transferred to Associate Member status, but rather remain part of their respective branches, although unable to vote. Note too that the Emeritus Status is separate from the voluntary Retired Status option that still remains in place.

Initial reports suggest that about 70 members were moved to Emeritus status in the first year. Since it is meant to be an ongoing policy, this number may increase over time.



The Academy’s Branch History
1927-present Actors Branch
1927-present Directors Branch
1927- present Writers Branch
1927-1941 Producers Branch
1941- 1947 Producers And Executives Branch
1947-present Producers Branch

1947-present Executives Branch

1953-1970 Administrators Branch

1927-1939 Technicians Branch
1939- 1947 Sciences Branch - 4 Sections
1947 - present Cinematographers Branch
1947-present Film Editors Branch
1947-present Sound Branch
1947-2012 Art Directors Branch
2012- present Designers Branch

1941-present Music Branch
1941-1974
Short Subjects Branch
1974-1995 Short Films Branch
1995-present Short Films And Feature Animation Branch
1942 - present Public Relations Branch

1995-present
Visual Effects Branch

2001-present Documentary Branch

2006-present Makeup Artists & Hairstylists Branch

2013-present Costume Designers Branch

2013-present Casting Directors Branch






















Academy Developments that weren’t Branch Specific
Various Associate Member Categories
1952-present Associate Members
Various Special & At Large Categories
1948-present Members At Large

1933 - 1936 Guild Exodus


1970: Gregory Peck Realignment


1992-present Retired Status

2016- present Emeritus Status






















Return to Home/Index Page.
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Saturday, March 18, 2017

The Academy Members Project has now identified the names of over 90% of Oscar Voters!!!

Exciting news today as The Academy Members Project crosses another major threshold. We have now identified over 90% of current Oscar voters by name!

But we’re not done yet. We promise to keep looking to get you that last 10%!

You can check out all the names here.
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Tuesday, February 21, 2017

The Academy Members Project has now identified the names of over 85% of Oscar Voters!!!

Exciting news today as The Academy Members Project crosses another threshold. We have now identified over 85% of current Oscar voters by name!

I still have hundreds of pages of notes from my trip to the Margaret Herrick Library to go through, so that number may continue to rise throughout the week. But for now, I thought it was a milestone worthy of a celebratory post!

You can check out all the names here.
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Friday, February 17, 2017

Academy Members’ Legacy Gallery Plaques

One of the highlights of my recent trip to Los Angeles was the opportunity to see a series of 12 bronze plaques which list over 1,000 Academy members from the 1990’s who donated to the endowment campaign for the Academy’s Center for Motion Picture Study.

Originally located on the second floor lobby of the Samuel Goldwyn Theater, they were later moved to the Margaret Herrick Library’s outdoor portico gallery, an area that often hosts special events for members, and hence an area where they have a chance to view the plaques.

Linda Harris Mehr, the library’s director, was kind enough to show me the plaques on February 9, 2017. She asked me not to take pictures, but since it is outside I was able to come back over the weekend to write down all of the names by hand.

A title plaque reads: “The Academy Members’ Legacy Gallery: In recognition and appreciation of those Academy Members who, in celebration of the first centennial of motion picture history, acted to preserve that history for the centuries to follow.”

The names appear alphabetically in two groups that represent the year that they gave their donation: 1989-1992, and 1993-1998.

Unlike other lists of donors, this one consists of Academy members ONLY, and happens to come from an era when printed membership lists are difficult to find.

Within The Academy Members Project pages, I have marked the names I found with two tags, both of which will link back to this description page: (Legacy Gallery Plaques 1989-1992) and (Legacy Gallery Plaques 1993-1998).
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Saturday, February 4, 2017

Notes from my trip to the Academy Library

I visited the Academy’s Margaret Herrick Library on February 2 to 17, 2017. It is a researcher’s dream. There is so much information that you could never see all of it, and the library staff is incredibly kind and helpful. Special thanks go to librarians Linda Harris Mehr, Louise Hilton and Marisa Duron who were particularly helpful during my visit.

A few notes that are specific to our project:

The library’s official policy is that membership information is considered confidential and restricted for forty years, which placed the official cut off date at 1977 as of the time of my visit. But like any large research facility that gets historical documents donated to them, the implementation and enforcement of that policy can vary widely, and I managed to uncover several documents that were dated later than that.

In some cases, I found that there were more recent documents that hadn’t been catalogued yet, so they didn’t realize that membership information was scattered throughout a large file. In other cases, my presence seemed to remind them that the policy existed, and items that had been catalogued and even advertised in their online manuscript inventory were marked as confidential right before I could see them, or right after I had seen them.

In one case, a file even got reclassified as confidential while I was in the middle of reading it! While I was sitting at the table! The library staff was very polite and apologetic about it, but were forced to take it away nonetheless. (Not to worry, though. I’ve already marked my calendar to make a return trip in 2027, the date that particular document will become unclassified again!)

As a result, some of the citations in our project say “May have been reclassified as confidential since my viewing on 2/2/2017”, with a link to this post to help explain why the document may not show up in the library catalogs anymore -- at least until the date that the particular document gets unclassified again.

A few other notes for our researchers:

The library has a generous photocopying policy, but I found that any item that contains a membership list is usually considered ineligible for photocopying -- even if it’s from before 1977. So the best thing to do is to bring your laptop and be prepared to retype all the names by hand, as I did.

The library computers also have a database with all of the Academy Governors from the founding. I’ve already gone through that and should have that updated on the site soon. And as a special treat, I got to view a series of Legacy Gallery Plaques in their outside portico.

All in all, it was a very productive trip for The Academy Members Project. From the few weeks that I was there, I took hundreds of pages of typewritten notes (yes, hundreds), which will take me at least a few months to get fully added to the site.

I can’t wait to go back and see what else there is to find!
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Wednesday, January 25, 2017

EXCLUSIVE: Which Of This Year’s Oscar Nominees Can Vote For Themselves? And Which Can't?

Here’s your guide to which Oscar nominees are already members of the Academy, courtesy of The Academy Members Project: The largest public list of Oscar Voters you’ll find on the internet.

The names below are divided into three categories:
  1. Existing Academy Members who can vote for the Oscars (and, if they choose to, themselves!) -- marked VOTING MEMBER! below.
  2. Non-Members who can’t -- marked NOT A MEMBER below.
  3. And a Wish List of people that we’re uncertain about -- marked UNCERTAIN below.

Enjoy!


  • Maren Ade - (Foreign Language Film) Toni Erdmann VOTING MEMBER! (Source)
  • Casey Affleck - (Lead Actor) Manchester By The Sea VOTING MEMBER! (Source)
  • Mahershala Ali - (Supporting Actor) Moonlight VOTING MEMBER! (Source)
  • Richard Alonzo - (Makeup & Hairstyling) Star Trek Beyond UNCERTAIN (Source)
  • Bub Asman - (Sound Editing) Sully VOTING MEMBER! (Source)
  • Colleen Atwood - (Costume Design) Fantastic Beasts And Where To Find Them VOTING MEMBER! (Source)
  • Spencer Averick - (Documentary Feature) 13th NOT A MEMBER (Source)
  • Selim Azzazi - (Live Action Short) Ennemis Interieurs (Enemies Within) NOT A MEMBER (Source)

  • Aske Bang - (Live Action Short) Silent Nights NOT A MEMBER (Source)
  • Alan Barillaro - (Animated Short) Piper VOTING MEMBER! (Source)
  • Howard Barish - (Documentary Feature) 13th UNCERTAIN (Source)
  • Claude Barras - (Animated Feature) My Life As A Zucchini NOT A MEMBER (Source)
  • Lauren Beck - (Best Picture) Manchester By The Sea NOT A MEMBER (Source)
  • Sylvain Bellemare - (Sound Editing) Arrival UNCERTAIN (Source)
  • Fred Berger - (Best Picture) La La Land NOT A MEMBER (Source)
  • Volker Bertelmann (aka Hauschka) - (Score) Lion NOT A MEMBER (Source)
  • Alessandro Bertolazzi - (Makeup & Hairstyling) Suicide Squad UNCERTAIN (Source)
  • Jason Billington - (Visual Effects) Deepwater Horizon NOT A MEMBER (Source)
  • Todd Black - (Best Picture) Fences UNCERTAIN (Source)
  • Richard Bluff - (Visual Effects) Doctor Strange VOTING MEMBER! (Source)
  • Consolata Boyle - (Costume Design) Florence Foster Jenkins VOTING MEMBER! (Source)
  • Jeff Bridges - (Supporting Actor) Hell Or High Water VOTING MEMBER! (Source)
  • Nicholas Britell - (Score) Moonlight NOT A MEMBER (Source)
  • Martin Butler - (Foreign Language Film) Tanna NOT A MEMBER (Source)

  • Giacun Caduff - (Live Action Short) La Femme Et Le TGV (The Railroad Lady) NOT A MEMBER (Source)
  • Iain Canning - (Best Picture) Lion VOTING MEMBER! (Source)
  • Stephane Ceretti - (Visual Effects) Doctor Strange VOTING MEMBER! (Source)
  • Damien Chazelle - (Director and Original Screenplay) La La Land VOTING MEMBER! (Source)
  • Peter Chernin - (Best Picture) Hidden Figures VOTING MEMBER! (Source)
  • Vincent Cirelli - (Visual Effects) Doctor Strange NOT A MEMBER (Source)
  • Ron Clements - (Animated Feature) Moana VOTING MEMBER! (Source)
  • Andrew Coats - (Animated Short) Borrowed Time NOT A MEMBER (Source)
  • Kahane Cooperman - (Documentary Short Subject) Joe’s Violin UNCERTAIN (Source)
  • Neil Corbould - (Visual Effects) Rogue One: A Star Wars Story VOTING MEMBER! (Source)
  • Paul Corbould - (Visual Effects) Doctor Strange VOTING MEMBER! (Source)
  • Stuart Craig - (Production Design) Fantastic Beasts And Where To Find Them VOTING MEMBER! (Source)
  • Tom Cross - (Film Editing) La La Land VOTING MEMBER! (Source)

  • Burt Dalton - (Visual Effects) Deepwater Horizon VOTING MEMBER! (Source)
  • Matt Damon - (Best Picture) Manchester By The Sea VOTING MEMBER! (Source)
  • Luke Davies - (Adapted Screenplay) Lion NOT A MEMBER (Source)
  • Viola Davis - (Supporting Actress) Fences VOTING MEMBER! (Source)
  • Kristof Deak - (Live Action Short) Sing NOT A MEMBER (Source)
  • Bentley Dean - (Foreign Language Film) Tanna NOT A MEMBER (Source)
  • Michael Dudok de Wit - (Animated Feature) The Red Turtle VOTING MEMBER! (Source)
  • Ava DuVernay - (Documentary Feature) 13th VOTING MEMBER! (Source)
  • Guy Hendrix Dyas - (Production Design) Passengers VOTING MEMBER! (Source)

  • Ezra Edelman - (Documentary Feature) O.J. Made In America NOT A MEMBER (Source)
  • Stephen Ellis - (Documentary Short Subject) Watani: My Homeland NOT A MEMBER (Source)
  • Steve Emerson - (Visual Effects) Kubo And The Two Strings UNCERTAIN (Source)

  • Asghar Farhadi - (Foreign Language Film) The Salesman VOTING MEMBER! (Source)
  • Angie Fielder - (Best Picture) Lion NOT A MEMBER (Source)
  • Efthimis Filippou - (Original Screenplay) The Lobster VOTING MEMBER! (Source)
  • Madeline Fontaine - (Costume Design) Jackie VOTING MEMBER! (Source)
  • Greig Fraser - (Cinematography) Lion VOTING MEMBER! (Source)

  • Dede Gardner - (Best Picture) Moonlight VOTING MEMBER! (Source)
  • Andrew Garfield - (Lead Actor) Hacksaw Ridge VOTING MEMBER! (Source)
  • Mel Gibson - (Director) Hacksaw Ridge VOTING MEMBER! (Source)
  • Donna Gigliotti - (Best Picture) Hidden Figures VOTING MEMBER! (Source)
  • John Gilbert - (Film Editing) Hacksaw Ridge VOTING MEMBER! (Source)
  • Juanjo Gimenez - (Live Action Short) Timecode UNCERTAIN (Source)
  • Julie Goldman - (Documentary Feature) Life Animated VOTING MEMBER! (Source)
  • Jess Gonchor - (Production Design) Hail, Caesar! VOTING MEMBER! (Source)
  • Ryan Gosling - (Lead Actor) La La Land VOTING MEMBER! (Source)
  • Peter Grace - (Sound Mixing) Hacksaw Ridge UNCERTAIN (Source)
  • Giorgio Gregorini - (Makeup & Hairstyling) Suicide Squad VOTING MEMBER! (Source)
  • Remi Grellety - (Documentary Feature) I Am Not Your Negro NOT A MEMBER (Source)

  • Jeffrey J. Haboush - (Sound Mixing) 13 Hours: The Secret Soldiers Of Benghazi VOTING MEMBER! (Source)
  • Carla Hacken - (Best Picture) Hell Or High Water UNCERTAIN (Source)
  • Nancy Haigh - (Set Decoration) Hail, Caesar! VOTING MEMBER! (Source)
  • Craig Hammack - (Visual Effects) Deepwater Horizon UNCERTAIN (Source)
  • Lou Hamou-Lhadj - (Animated Short) Borrowed Time NOT A MEMBER (Source)
  • Joel Harlow - (Makeup & Hairstyling) Star Trek Beyond VOTING MEMBER! (Source)
  • Naomie Harris - (Supporting Actress) Moonlight NOT A MEMBER (Source)
  • Lucas Hedges - (Supporting Actor) Manchester By The Sea NOT A MEMBER (Source)
  • Eric Heisserer - (Adapted Screenplay) Arrival NOT A MEMBER (Source)
  • Hal Hickel - (Visual Effects) Rogue One: A Star Wars Story VOTING MEMBER! (Source)
  • Hannes Holm - (Foreign Language Film) A Man Called Ove UNCERTAIN (Source)
  • Jordan Horowitz - (Best Picture) La La Land NOT A MEMBER (Source)
  • Paul Hotte - (Set Decoration) Arrival UNCERTAIN (Source)
  • Byron Howard - (Animated Feature) Zootopia VOTING MEMBER! (Source)
  • Isabelle Huppert - (Lead Actress) Elle VOTING MEMBER! (Source)
  • Justin Hurwitz - (Score and 2 Songs) La La Land NOT A MEMBER (Source)

  • Mildred Iatrou Morgan - (Sound Editing) La La Land VOTING MEMBER! (Source)

  • Barry Jenkins - (Director and Adapted Screenplay) Moonlight NOT A MEMBER (Source)
  • Joanna Johnston - (Costume Design) Allied VOTING MEMBER! (Source)
  • Andrew R. Jones - (Visual Effects) The Jungle Book VOTING MEMBER! (Source)
  • Oliver Jones - (Visual Effects) Kubo And The Two Strings NOT A MEMBER (Source)

  • Max Karli - (Animated Feature) My Life As A Zucchini NOT A MEMBER (Source)
  • Nicole Kidman - (Supporting Actress) Lion VOTING MEMBER! (Source)
  • Jeremy Kleiner - (Best Picture) Moonlight VOTING MEMBER! (Source)
  • Travis Knight - (Animated Feature) Kubo And The Two Strings VOTING MEMBER! (Source)
  • John Knoll - (Visual Effects) Rogue One: A Star Wars Story VOTING MEMBER! (Source)
  • Dan Krauss - (Documentary Short Subject) Extremis NOT A MEMBER (Source)

  • Claude La Haye - (Sound Mixing) Arrival UNCERTAIN (Source)
  • Yorgos Lanthimos - (Original Screenplay) The Lobster VOTING MEMBER! (Source)
  • Love Larson - (Makeup & Hairstyling) A Man Called Ove VOTING MEMBER! (Source)
  • James Laxton - (Cinematography) Moonlight NOT A MEMBER (Source)
  • Ai-Ling Lee - (Sound Editing and Sound Mixing) La La Land VOTING MEMBER! (Source)
  • Robert Legato - (Visual Effects) The Jungle Book VOTING MEMBER! (Source)
  • Dan Lemmon - (Visual Effects) The Jungle Book VOTING MEMBER! (Source)
  • Mohen Leo - (Visual Effects) Rogue One: A Star Wars Story UNCERTAIN (Source)
  • Mica Levi - (Score) Jackie NOT A MEMBER (Source)
  • Dan Levine - (Best Picture) Arrival NOT A MEMBER (Source)
  • Shawn Levy - (Best Picture) Arrival VOTING MEMBER! (Source)
  • David Linde - (Best Picture) Arrival UNCERTAIN (Source)
  • Kenneth Lonergan - (Director and Original Screenplay) Manchester By The Sea VOTING MEMBER! (Source)

  • Robert Mackenzie - (Sound Editing and Sound Mixing) Hacksaw Ridge UNCERTAIN (Source)
  • Kim Magnusson - (Live Action Short) Silent Nights VOTING MEMBER! (Source)
  • Max Martin - (Song) Trolls UNCERTAIN (Source)
  • Daphne Matziaraki (Documentary Short Subject) 4.1 Miles NOT A MEMBER (Source)
  • Tarell Alvin McCraney - (Adapted Screenplay) Moonlight NOT A MEMBER (Source)
  • Brian McLean - (Visual Effects) Kubo And The Two Strings VOTING MEMBER! (Source)
  • Joi McMillon - (Film Editing) Moonlight NOT A MEMBER (Source)
  • Bill Mechanic - (Best Picture) Hacksaw Ridge VOTING MEMBER! (Source)
  • Theodore Melfi - (Best Picture and Adapted Screenplay) Hidden Figures NOT A MEMBER (Source)
  • Marcel Mettelsiefen - (Documentary Short Subject) Watai: My Homeland NOT A MEMBER (Source)
  • Mike Mills - (Original Screenplay) 20th Century Women NOT A MEMBER (Source)
  • Lin-Manuel Miranda - (Song) Moana NOT A MEMBER (Source)
  • Chris Moore - (Best Picture) Manchester By The Sea UNCERTAIN (Source)
  • Rich Moore - (Animated Feature) Zootopia VOTING MEMBER! (Source)
  • Steve A. Morrow - (Sound Mixing) La La Land UNCERTAIN (Source)
  • Viggo Mortensen - (Lead Actor) Captain Fantastic NOT A MEMBER (Source)
  • Alan Robert Murray - (Sound Editing) Sully VOTING MEMBER! (Source)
  • John Musker - (Animated Feature) Moana VOTING MEMBER! (Source)

  • Joanna Natasegara - (Documentary Short Subject) The White Helmets NOT A MEMBER (Source)
  • Ruth Negga - (Lead Actress) Loving NOT A MEMBER (Source)
  • Raphaela Neihausen - (Documentary Short Subject) Joe’s Violin NOT A MEMBER (Source)
  • Andy Nelson - (Sound Mixing) La La Land VOTING MEMBER! (Source)
  • Christopher Nelson - (Makeup & Hairstyling) Suicide Squad UNCERTAIN (Source)
  • Thomas Newman - (Score) Passengers VOTING MEMBER! (Source)

  • Kevin O’Connell - (Sound Mixing) Hacksaw Ridge VOTING MEMBER! (Source)
  • Dustin O’Halloran - (Score) Lion NOT A MEMBER (Source)
  • Patrick Osborne - (Animated Short) Pearl VOTING MEMBER! (Source)

  • Donatella Palermo - (Documentary Feature) Fire At Sea UNCERTAIN (Source)
  • David Parker - (Sound Mixing) Rogue One: A Star Wars Story VOTING MEMBER! (Source)
  • Benj Pasek - (2 Songs) La La Land NOT A MEMBER (Source)
  • Dev Patel - (Supporting Actor) Lion VOTING MEMBER! (Source)
  • Justin Paul - (2 Songs) La La Land NOT A MEMBER (Source)
  • Hebert Peck - (Documentary Feature) I Am Not Your Negro NOT A MEMBER (Source)
  • Raoul Peck - (Documentary Feature) I Am Not Your Negro VOTING MEMBER! (Source)
  • David Permut - (Best Picture) Hacksaw Ridge UNCERTAIN (Source)
  • Anna Pinnock - (Set Decoration) Fantastic Beasts And Where To Find Them VOTING MEMBER! (Source)
  • Marc Platt - (Best Picture) La La Land VOTING MEMBER! (Source)
  • Natalie Portman - (Lead Actress) Jackie VOTING MEMBER! (Source)
  • Rodrigo Prieto - (Cinematography) Silence VOTING MEMBER! (Source)

  • J. Ralph - (Song) Jim: The James Foley Story VOTING MEMBER! (Source)
  • Jake Roberts - (Film Editing) Hell Or High Water NOT A MEMBER (Source)
  • Adele Romanski - (Best Picture) Moonlight NOT A MEMBER (Source)
  • Gianfranco Rosi - (Documentary Feature) Fire At Sea NOT A MEMBER (Source)
  • Scott Rudin - (Best Picture) Fences VOTING MEMBER! (Source)
  • Greg P. Russell - (Sound Mixing) 13 Hours: The Secret Soldiers Of Benghazi VOTING MEMBER! (Source)
  • Mac Ruth - (Sound Mixing) 13 Hours: The Secret Soldiers Of Benghazi VOTING MEMBER! (Source)
  • Aaron Ryder - (Best Picture) Arrival VOTING MEMBER! (Source)

  • Nat Sanders - (Film Editing) Moonlight NOT A MEMBER (Source)
  • Linus Sandgren - (Cinematography) La La Land NOT A MEMBER (Source)
  • Christopher Scarabosio - (Sound Mixing) Rogue One: A Star Wars Story VOTING MEMBER! (Source)
  • Brad Schiff - (Visual Effects) Kubo And The Two Strings UNCERTAIN (Source)
  • Allison Schroeder - (Adapted Screenplay) Hidden Figures NOT A MEMBER (Source)
  • Karl Johan Schuster (aka Shellback) - (Song) Trolls NOT A MEMBER (Source)
  • Gene Serdena - (Set Decorator) Passengers VOTING MEMBER! (Source)
  • Michael Shannon - (Supporting Actor) Nocturnal Animals VOTING MEMBER! (Source)
  • Taylor Sheridan - (Original Screenplay) Hell Or High Water NOT A MEMBER (Source)
  • Emile Sherman - (Best Picture) Lion VOTING MEMBER! (Source)
  • Osnat Shurer - (Animated Feature) Moana VOTING MEMBER! (Source)
  • Jason Snell - (Visual Effects) Deepwater Horizon NOT A MEMBER (Source)
  • Marc Sondheimer - (Animated Short) Piper NOT A MEMBER (Source)
  • Cara Speller - (Animated Short) Pear Cider And Cigarettes NOT A MEMBER (Source)
  • Clark Spencer - (Animated Feature) Zootopia VOTING MEMBER! (Source)
  • Octavia Spencer - (Supporting Actress) Hidden Figures VOTING MEMBER! (Source)
  • Wylie Stateman - (Sound Editing) Deepwater Horizon VOTING MEMBER! (Source)
  • Kimberly Steward - (Best Picture) Manchester By The Sea NOT A MEMBER (Source)
  • Sting - (Song) Jim: The James Foley Story UNCERTAIN (Source)
  • Emma Stone - (Lead Actress) La La Land VOTING MEMBER! (Source)
  • Meryl Streep - (Lead Actress) Florence Foster Jenkins VOTING MEMBER! (Source)
  • Bernard Gariepy Strobl - (Sound Mixing) Arrival UNCERTAIN (Source)
  • Gary Summers - (Sound Mixing) 13 Hours: The Secret Soldiers Of Benghazi VOTING MEMBER! (Source)
  • Arianne Sutner - (Animated Feature) Kubo And The Two Strings NOT A MEMBER (Source)
  • Toshio Suzuki - (Animated Feature) The Red Turtle VOTING MEMBER! (Source)

  • Justin Timberlake - (Song) Trolls NOT A MEMBER (Source)
  • Renee Tondelli - (Sound Editing) Deepwater Horizon VOTING MEMBER! (Source)
  • Jenno Topping - (Best Picture) Hidden Figures UNCERTAIN (Source)

  • Anna Udvardy - (Live Action Short) Sing NOT A MEMBER (Source)
  • Theodore Ushev - (Animated Short) Blind Vaysha NOT A MEMBER (Source)

  • Adam Valdez - (Visual Effects) The Jungle Book VOTING MEMBER! (Source)
  • Robert Valley - (Animated Short) Pear Cider And Cigarettes NOT A MEMBER (Source)
  • Patrice Vermette - (Production Design) Arrival VOTING MEMBER! (Source)
  • Denis Villeneuve - (Director) Arrival VOTING MEMBER! (Source)
  • Eva von Bahr - (Makeup & Hairstyling) A Man Called Ove VOTING MEMBER! (Source)
  • Orlando von Einsiedel - (Documentary Short Subject) The White Helmets NOT A MEMBER (Source)
  • Timo von Gunten - (Live Action Short) La Femme Et Le TGV (The Railroad Lady) NOT A MEMBER (Source)

  • Joe Walker - (Film Editing) Arrival VOTING MEMBER! (Source)
  • Kevin J. Walsh - (Best Picture) Manchester By The Sea NOT A MEMBER (Source)
  • David Wasco - (Production Design) La La Land VOTING MEMBER! (Source)
  • Sandy Reynolds-Wasco - (Set Decoration) La La Land VOTING MEMBER! (Source)
  • Denzel Washington - (Best Picture and Lead Actor) Fences VOTING MEMBER! (Source)
  • Caroline Waterlow - (Documentary Feature) O.J. Made In America UNCERTAIN (Source)
  • Michelle Williams - (Supporting Actress) Manchester By The Sea VOTING MEMBER! (Source)
  • Pharrell Williams - (Best Picture) Hidden Figures VOTING MEMBER! (Source)
  • Roger Ross Williams - (Documentary Feature) Life Animated VOTING MEMBER! (Source)
  • August Wilson - (Adapted Screenplay) Fences NOT A MEMBER (Source)
  • Stuart Wilson - (Sound Mixing) Rogue One: A Star Wars Story VOTING MEMBER! (Source)
  • Andy Wright - (Sound Editing and Sound Mixing) Hacksaw Ridge NOT A MEMBER (Source)

  • Julie Yorn - (Best Picture) Hell Or High Water UNCERTAIN (Source)
  • Bradford Young - (Cinematography) Arrival VOTING MEMBER! (Source)

  • Martin Zandvliet - (Foreign Language Film) Land Of Mine NOT A MEMBER (Source)
  • Mary Zophres - (Costume Design) La La Land VOTING MEMBER! (Source)


Want to learn more about who is and is not part of the Academy? Check out The Academy Members Project: The largest public list of Oscar Voters you’ll find on the internet!
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